’70s Hair Flicks Flicking by Raphael – 1971

Posted by on Nov 16, 2017 in Helen's Blog | 0 comments

'70s Hair Flicks Flicking by Raphael – 1971

Photo: Klaus Lucka

Know your hair history.  From the 1971 Femme Fatale Collection these flicks flicked softly and romantically, curled at the front of a bob. Hair by Raphael Santarossa, former partner of Raphael & Leonard in London, who married a Canadian and moved to Montreal, where this look was photographed. “A woman should be a woman, and I want to make her more woman, I love women and know to make them more so,” Raphael, perhaps the sexiest hairdresser ever, said at the time. Versions of these famous flicks made it internationally, it was such a flattering look, so new-looking then, easy to do, with the front left longer at the crown. And anyone could wear this look today – it has stood the test of time. To see more, CLICK HERE

Hair: Raphael Santarossa, 1971 … Makeup: Jacques LaFleur … Model: Donna Clarke
Photo: Klaus Lucka

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Cadette Chignon – 1978

Posted by on May 27, 2017 in Helen's Blog | 6 comments

Cadette Chignon - 1978

Photo: Larry Nichols

REMEMBERING ALL WHO SERVED ON THIS MEMORIAL DAY WEEKEND

The Cadette Chignon was designed for an Armani fashion show in Toronto, by La Coupe, in 1978. It was worn with hair half up, half down, or all up. Jerome Pinsonneault, George Karkoulas and La Coupe’s staff made khaki-colored, satin-covered forms and the hair was tucked under, with an Armani medal added at the front. For more, HairThen, La Coupe, 70s, Hat Chignons on www.helen oppenheim.com

Hair: Jerome Pinsonneault, La Coupe, Toronto … Makeup: Stace Long … Blouse: Holt Renfrew …Model: Danielle Carbonneau … Photo: Larry Nichols …Produced by Helen Oppenheim

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Unruly Naturally Curly Hair With Wisps – 1977

Posted by on Oct 15, 2015 in Helen's Blog | 0 comments

Unruly Naturally Curly Hair With Wisps - 1977

Photo: © Lorraine Sylvestre

1977.  This La Coupe photo made US Vogue. They probably loved the earrings as much as the unruly naturally curly hair of this star performer.  There was a new-looking volume at the back and charming little wisps flirting on the forehead.   The earrings were by Niky, an award-winning Jewelry Designer, who created the super modern spray to fit over the ear with assorted-sized diamonds on 18 carat gold. For more on this collection and more details on the hair, click HERE

Hair: Elmer Olsen, La Coupe, Montreal, 1977 … Makeup: Electa & Corrado … Model: Lillian De Freeze … Photo: Lorraine Sylvestre

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Zig Zag “Ziggle”and “Zisp” – 1977

Posted by on Mar 27, 2015 in Helen's Blog | 0 comments

Zig Zag "Ziggle" and "Zisp" - 1977

Photo: © Larry Nichols

My first new blog on modernsalon.com after the re-design.   Here’s  Zig Zag.  All about Zig Zag parts.   One of the most successful collections ever for La Coupe. Created in 1977. I invented a whole new alphabet which included “ziggles” and “zisps” as well as zigs and zags. Take a look at all the hair styles, lengths and textures to which you can add a zig-zag parting and find out what the fun is all about!   Click HERE:

Hair: Jerome Pinsonneault … Makeup: Tuvia … Model: Pat Ryan … Photo: Larry Nichols …
Concept/Art Direction/Fashion Styling/Produced by Helen Oppenheim

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Sahag ’70s Hair on Linda Morand – 1974

Posted by on Nov 28, 2014 in Helen's Blog | 0 comments

Sahag '70s Hair on Linda Morand – 1974

Beret Photo: © Hans Fuerer … Train Photo: © Monika Robi. Collage by helenoppenheim.com

Photos in this collage show Linda Morand with hair by John Sahag in 1974. The American “Super Chick” model, usually seen then with short straight geometric hair, has curly hair and a beret for Vogue Paris and is shown, in a detail, as “The Woman on the Train” for Foto Magazine – with longer curly hair, pure 70s. For more on this story and more Sahag, click here

Beret Hair: John Sahag … Photo: © Hans Fuerer for Vogue Paris
(The pink artist’s rendition: © Beska Sorenson)
Train Hair: John Sahag … Photo (Detail): © Monika Robi for Foto

 

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Loulou de la Falaise Gamine by Harry King – 1976

Posted by on Aug 30, 2014 in Helen's Blog | 2 comments

Loulou de la Falaise Gamine by Harry King -  1976

Photo: © Scavullo

Loulou de la Falasie, the French style Icon and muse to Yves Saint Laurent, influenced fashion with her flair and original chic in the ’70s and ’80s. A new book called “Loulou de la Falaise” by Ariel de Ravenel and Natasha Fraser-Cavassoni which celebrates her life, daring style, unique fashion perspective and has over 400 images and is due out in October, published by Rizzoli

In 1976, Harry King cut this gamine on LouLou for the “Scavullo Beauty” book . He remembers: “This super chic lady arrived and wanted my cut.” For more by WorldGreat Harry King, click here, scroll back and forth:

Hair: Harry King … Makeup: Way Bandy … Photo: © Scavullo

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SuperStar Wisp Cut A Hit – 1977

Posted by on Aug 28, 2014 in Helen's Blog | 0 comments

 SuperStar Wisp Cut A Hit - 1977

Photo: Lorraine Sylvestre

Wisps of hair whispered on the forehead and cheek of this La Coupe SuperStar in 1977 – in ways never seen before, when long hair was one length, with few if any layers and no wisps.

On the way to top of the charts, this innovative style became a hit and could be worn in many lengths. Jerome Pinsonneault of La Coupe, Toronto said of the then very new innovation – “Wisp Cutting involved conducting the points of scissors in new ways, cutting hair by hair, and then carefully blending the wisps into the rest of the hair. For more versions and how-to, click here: 

Hair by : Jerome Pinsonneault, La Coupe Toronto … Makeup: Electa & Corrado …  Model: Kim Chi … Photos : Lorraine Sylvestre. Concept/Produced by Helen Oppenheim

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Romantic Wisps Whisper – 1977

Posted by on Aug 7, 2014 in Helen's Blog | 0 comments

Romantic Wisps Whisper - 1977

Photo: © Lorraine Sylvestre

For pure romance, long wisps whispered on the cheek, tickled the temple, kissed the nose, caressed the neck on this lovely look, just one innovative idea from La Coupe’s 1977 Wisp Cut Collection. This one was so new-looking then, who knew it would be the beginning of wisps falling all over the place because perfect hair was what everyone wore at the time.

Fine wisps were pulled out from the hairline here and there, and precision-cut into a shape, using the natural growth patterns to romantically frame the face and neck. Elmer Olsen, who created this style, advised “for long wisps to be left out for this look,the hair has to be a good length before one can start.”  More, technical details, click here:

Hair: Elmer Olsen, La Coupe, Montreal … Perm: Tanya Pawley/Wella Firm and Gentle … Makeup: Electra & Corrado … Corselet Top: Pat MacDonagh … Soft Body Jewelry: Doris May … Model: Josée St-Jacques … Photo: Lorraine Sylvestre. Produced by Helen Oppenheim

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